Raag Pooriya is a melodic framework (raag) in South Asian classical music. It belongs to the Marva thaat. It evokes a relaxing mood. The vadi (dominant note) is Gandhar and the samvadi is Nikhad. Stream 2 renditions of Raag Pooriya on Saarey Music.
Coming soon
How to recognize Raag Pooriya
Identify the parent scale. Raag Pooriya belongs to the Marva thaat — listening for the characteristic note pattern narrows the field.
Listen for the vadi. The dominant note is Gandhar, with the samvadi Nikhad supporting it. Emphasized in phrases and pauses, especially in the alap.
Feel the mood. Raag Pooriya evokes a relaxing rasa — one of the clearest cues.
Raag Pooriya is a melodic framework in South Asian classical music belonging to the Marva thaat. It evokes a relaxing mood. Coming soon
Raag Pooriya evokes a relaxing mood. In South Asian classical music, each raag is associated with a specific emotional quality (rasa) that the performer seeks to communicate through melodic phrases and ornamentations. The relaxing character of Raag Pooriya is expressed through its particular combination of notes, emphasis patterns, and characteristic phrases (pakad).
Raag Pooriya belongs to the Marva thaat. A thaat is a parent scale in South Asian classical music from which raags are derived. The Marva thaat provides the foundational note set that Pooriya elaborates upon with its specific ascending and descending patterns.
The vadi (most important note) of Raag Pooriya is Gandhar and the samvadi (second most important note) is Nikhad. The vadi and samvadi are the two dominant notes around which the raag's melodic phrases revolve, giving it its distinctive character.
