Raag Jaunpuri is a melodic framework (raag) in South Asian classical music. It belongs to the Asawari thaat. Traditionally performed during the 06:00-08:59. It evokes a love mood. The vadi (dominant note) is Madham and the samvadi is Kharaj. Stream 1 rendition of Raag Jaunpuri on Saarey Music.
Raag Jaunpuri is a soft, melodic and popular morning raag that creates a deep, devotional atmosphere. It is said to have orginiated in Jaunpur, a city in India in northern Uttar Pradesh, southeast of Lukhnow by Sultan HussainAharqi of Jaunpur (1458 - 1477).
Jaunpuri and Gandhari and closesely associated raags. Jaunpuri emphasizes Komal Dhivat and Gandhari emphasizes both Dhaivat.
How to recognize Raag Jaunpuri
Identify the parent scale. Raag Jaunpuri belongs to the Asawari thaat — listening for the characteristic note pattern narrows the field.
Listen for the vadi. The dominant note is Madham, with the samvadi Kharaj supporting it. Emphasized in phrases and pauses, especially in the alap.
Note the time of performance. Raag Jaunpuri is traditionally performed during the 06:00-08:59.
Feel the mood. Raag Jaunpuri evokes a love rasa — one of the clearest cues.
Raag Jaunpuri is a melodic framework in South Asian classical music belonging to the Asawari thaat, traditionally performed during 06:00-08:59. It evokes a love mood. Raag Jaunpuri is a soft, melodic and popular morning raag that creates a deep, devotional atmosphere. It is said to have orginiated in Jaunpur, a city in India in northern Uttar Pradesh, southeast of Lukhnow by Sultan HussainAharqi of Jaunpur (1458 - 1477).
Jaunpuri and Gandhari and closesely associated raags. Jaunpuri emphasizes Komal Dhivat and Gandhari emphasizes both Dhaivat.
Raag Jaunpuri is traditionally performed during 06:00-08:59. In South Asian classical music, each raag is associated with a specific time of day or night, believed to enhance its emotional impact and resonate with the natural rhythms of that period.
For the most authentic experience, listen to Raag Jaunpuri during 06:00-08:59. South Asian classical music theory holds that each raag resonates most powerfully at its designated time, aligning with the listener's emotional and physiological state during that period. However, great performances of Raag Jaunpuri can be appreciated at any time.
Raag Jaunpuri evokes a love mood. In South Asian classical music, each raag is associated with a specific emotional quality (rasa) that the performer seeks to communicate through melodic phrases and ornamentations. The love character of Raag Jaunpuri is expressed through its particular combination of notes, emphasis patterns, and characteristic phrases (pakad).
Raag Jaunpuri belongs to the Asawari thaat. A thaat is a parent scale in South Asian classical music from which raags are derived. The Asawari thaat provides the foundational note set that Jaunpuri elaborates upon with its specific ascending and descending patterns.
The vadi (most important note) of Raag Jaunpuri is Madham and the samvadi (second most important note) is Kharaj. The vadi and samvadi are the two dominant notes around which the raag's melodic phrases revolve, giving it its distinctive character.
